Category Archives: Sunday Jazz Corner

Sunday Jazz Corner with Danny Mixon (Harlem)

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Daniel Asbury Mixon from Harlem, New York City is an American jazz Pianist.
Currently you can hear him at the newly revised and highly sought upon Jazz Supper Club Minton’s in Harlem.
A prolific piano virtuoso who has performed in the U. S. and Internationally, Daniel Asbury Mixon was born on August 19, 1949 in Harlem and raised in Brooklyn, New York. Growing up in a musical household he was influenced by his mother and grandparents beginning his early artistic expression at the age of 3. He studied and performed as a tap dancer at the Ruth Williams Dance Studio and even then was known as “The Show Stopper.” Danny attended the High School of Performing Arts with dance as his major.

During an afternoon outing at the Apollo Theatre with his grandfather Danny was inspired by the jazz musicians he heard. It was then that he decided that he would like to be a pianist and he never once looked back.

In May of 2004 Danny was one of the first musicians to be honored by the National Jazz Museum in Harlem in a series entitled “Harlem Speaks,” which resulted in an invitation to the White House for Black Music Month on June 22nd.

Danny’s greatest joy is performing, composing, and arranging for his own group “The Danny Mixon Trio or Quartet,” Danny is currently the Musical Director at Minton’s.

This kind of talent doesn’t grow on trees.  Danny Mixon and all of the jazz musicians at Minton’s are what makes Harlem so great.  If you have not yet visited Minton’s Supper Club in Harlem, and you are a lover of good food and REAL JAZZ, we highly recommend it.   See our previous write up on Minton’s Supper Club, Harlem’s Opening Night at Minton’s

DannyMixon.com

Minton’s Harlem

The Danny Mixon Trio Live at Showman’s Jazz Organ Club

Sunday Jazz Corner with Jimmie Lunceford

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James Melvin “Jimmie” Lunceford (June 6, 1902 – July 12, 1947) was an American Jazz alto saxophonist and bandleader in the swing era.

Jimmie Lunceford is the odd man out in jazz history. This bandleader made no waves with his musicianship – his preferred instrument was the conductor’s baton – and he possessed neither the elegance of Ellington nor the hipster hauteur of Calloway. But Lunceford knew how to entertain an audience, and he led one of the finest jazz bands of the 1930s. When Lunceford’s ensemble took a booking at the Cotton Club, following in the footsteps of Cab and the Duke, dancers would hardly have missed a beat. “Harlem Shout” demonstrates the core virtues of this orchestra: its swinging riff-based charts, its hot and polished section work, and (another calling card of Lunceford’s bands) high-note trumpet theatrics, provided here by Paul Webster. Like a hearty band of soldiers, this ensemble always maintained discipline under fire, and there was inevitably plenty of hot stuff around when folks like Sy Oliver and Eddie Durham were handing out the parts. Perhaps if Lunceford had lived longer – he died, reportedly of a heart attack (although under suspicious circumstances), at age 45 – he might have been fêted as elder statesman of jazz. But, as it stands, he is little more than a half-remembered name for most younger jazz fans. Tis pity, ’cause this band was sublime.  Reviewer Credit: Ted Gioia

Read Wikipedia on Jimmie Lunceford stating rumors about his death (suspicious circumstances) that he was actually poisoned in Seaside, Oregon by a restaurant owner.

Tain’t What You Do – Jimmie Lunceford

Jimmie Lunceford and His Dance Orchestra 1936 (LIVE)

Harlem Shout – Jimmie Lunceford Orchestra

Sunday Jazz Corner With Etta James

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The one and only Etta James.  It is sad to think we have just only recently lost Etta James (born Jamesetta Hawkins)  on January 20, 2012.  She was born January 25, 1938 and she died five days before her birthday on which she would have been 74 years old.  James was known as an American singer-songwriter.  Her style spanned a variety of music genres including blues, jazz, R&B, soul, rock and gospel.  Whenever anyone thinks of the jazz classic “At Last” they think of Etta James.  Etta’s version as compared to versions by other jazz singers, belonged to her.

James was married to her husband Artis Mills, whom she married in 1969.  They had two sons, Donto and Sametto.  Both started performing with their mother — Donto played drums at Montreux in 1993, and Sametto played bass guitar circa 2003 with his mom.  Etta James battled with Heroin addiction for years and her husband Mr. Mills served a 10-year prison sentence for heroin possession.

From 1989, James received over 30 awards and recognitions from eight different organizations, including the Rock and Roll Hall of Fame and Museum and the Academy of Recording Arts and Sciences which organizes the Grammys.

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Now perhaps more trendy than ever Etta James is a “cult hero” with producers and remixers waiting in line to remix her legendary sound and style.  We continue to hear her though samples in rap, hip hop, electronic and pop music of today.  Her legacy lives on through blues and jazz singers in clubs worldwide honoring her sound.  Here she is singing “At Last” as only she could.  And the second video is of a young Etta James singing “Got A Hold On Me.”

At Last (live) [VIDEO] – Etta James

Somethings Got A Hold On Me (Live) [VIDEO] – Etta James

Sunday Jazz Corner With Fats Waller

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King of the stride, Fats Waller was a colorful comedic personality and jazz legend in the 20’s, 30’s and 40’s.  Waller was an influential pianist, composer, singer and comedic entertainer, whose innovations to the Harlem stride style laid the groundwork for modern jazz piano.  His best-known compositions, Ain’t Misbehavin’ and Honeysuckle Rose were inducted into the Grammy Hall of Fame posthumously, in 1984 and 1999.

Fats Waller (Thomas Wright Waller), was born in New York City in 1904.  He started playing piano when he was six and by the age of fourteen he was playing the organ at Harlem’s Lincoln Theater.  Within twelve months he had written his first rag (ragtime) song.

By the age of fifteen he became a professional pianist, overcoming opposition from his clergyman father, working in cabarets and theaters.  Waller went on to become one of the most popular performers of his era, finding critical and commercial success in his homeland and in Europe.  He was also a prolific songwriter and many songs he wrote or co-wrote are still popular, such as “Honeysuckle Rose”, “Ain’t Misbehavin” and “Squeeze Me”.

He enjoyed success touring the United Kingdom and Ireland in the 1930s.  He appeared in one of the first BBC television broadcasts.  While in Britain, Waller also recorded a number of songs for EMI.  He appeared in several feature films and short subject films, most notably Stormy Weather  which you can view a video clip of below.  It was released in 1943 just months before his death.

Multi-talented Waller performed Bach organ pieces for small groups on occasion.  Waller influenced many pre-bop jazz pianists; Count Basie and Erroll Garner have both reanimated his hit songs (notably, “Ain’t Misbehavin'”).  In addition to his playing, Waller was known for his many quips during his performances.

Between 1926 and the end of 1927, Waller recorded a series of pipe organ solo records.  These represent the first time syncopated jazz compositions were ever performed on a full-sized church organ.

His final recording session was with an interracial group in Detroit, Michigan in 1943, that included trumpeter Don Hirleman.  Waller was returning to New York City from Los Angeles, after the smash success of Stormy Weather, and after a successful engagement at the Zanzibar Room, during which he had fallen ill.  He contracted pneumonia on a cross-country train trip near Kansas City, Missouri, where he died on December 15, 1943.  Coincidentally, as the train with the body of Waller stopped in Kansas City, so stopped a train with his dear friend Louis Armstrong on board.  Coincidence or providential?

More than 4,000 people attended his funeral in Harlem at the Abyssinian Baptist Church.  Dr. Adam Clayton Powell, Jr., delivered the eulogy, and said that Fats Waller “always played to a packed house.”

I highly recommend FATS WALLER “compilation” on iTunes.
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See below 2 Videos by Fats Waller.

Ain’t Misbehavin’ – Stormy Weather (1943) – FATS WALLER

I’m gonna sit right down and write myself a letter (1935) – FATS WALLER