James Melvin “Jimmie” Lunceford (June 6, 1902 – July 12, 1947) was an American Jazz alto saxophonist and bandleader in the swing era.
Jimmie Lunceford is the odd man out in jazz history. This bandleader made no waves with his musicianship – his preferred instrument was the conductor’s baton – and he possessed neither the elegance of Ellington nor the hipster hauteur of Calloway. But Lunceford knew how to entertain an audience, and he led one of the finest jazz bands of the 1930s. When Lunceford’s ensemble took a booking at the Cotton Club, following in the footsteps of Cab and the Duke, dancers would hardly have missed a beat. “Harlem Shout” demonstrates the core virtues of this orchestra: its swinging riff-based charts, its hot and polished section work, and (another calling card of Lunceford’s bands) high-note trumpet theatrics, provided here by Paul Webster. Like a hearty band of soldiers, this ensemble always maintained discipline under fire, and there was inevitably plenty of hot stuff around when folks like Sy Oliver and Eddie Durham were handing out the parts. Perhaps if Lunceford had lived longer – he died, reportedly of a heart attack (although under suspicious circumstances), at age 45 – he might have been fêted as elder statesman of jazz. But, as it stands, he is little more than a half-remembered name for most younger jazz fans. Tis pity, ’cause this band was sublime. Reviewer Credit: Ted Gioia
Read Wikipedia on Jimmie Lunceford stating rumors about his death (suspicious circumstances) that he was actually poisoned in Seaside, Oregon by a restaurant owner.
Tain’t What You Do – Jimmie Lunceford
Jimmie Lunceford and His Dance Orchestra 1936 (LIVE)
Harlem Shout – Jimmie Lunceford Orchestra
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The one and only Etta James. It is sad to think we have just only recently lost Etta James (born Jamesetta Hawkins) on January 20, 2012. She was born January 25, 1938 and she died five days before her birthday on which she would have been 74 years old. James was known as an American singer-songwriter. Her style spanned a variety of music genres including blues, jazz, R&B, soul, rock and gospel. Whenever anyone thinks of the jazz classic “At Last” they think of Etta James. Etta’s version as compared to versions by other jazz singers, belonged to her.
James was married to her husband Artis Mills, whom she married in 1969. They had two sons, Donto and Sametto. Both started performing with their mother — Donto played drums at Montreux in 1993, and Sametto played bass guitar circa 2003 with his mom. Etta James battled with Heroin addiction for years and her husband Mr. Mills served a 10-year prison sentence for heroin possession.
From 1989, James received over 30 awards and recognitions from eight different organizations, including the Rock and Roll Hall of Fame and Museum and the Academy of Recording Arts and Sciences which organizes the Grammys.
Now perhaps more trendy than ever Etta James is a “cult hero” with producers and remixers waiting in line to remix her legendary sound and style. We continue to hear her though samples in rap, hip hop, electronic and pop music of today. Her legacy lives on through blues and jazz singers in clubs worldwide honoring her sound. Here she is singing “At Last” as only she could. And the second video is of a young Etta James singing “Got A Hold On Me.”
At Last (live) [VIDEO] – Etta James
Somethings Got A Hold On Me (Live) [VIDEO] – Etta James
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Tagged @HarlemHCL, At Last, Blues, Cool Singers, Etta James, Gospel, Harlem, Harlem Jazz, Harlem Jazz Legends, Harlem Trends, HarlemBlogger, HCL, Jamesetta Hawkins, jazz, Jazz Greats, New Harlem Meets Old Jazz, Soul, Sunday Jazz Corner
Duke Ellington’s last words were, “Music is how I live, why I live and how I will be remembered”. He was an American composer, pianist, and jazz-orchestra leader with a career that spanned more than 50 years. Ellington led his orchestra from 1923 until his death. He was born April 29, 1899 and passed along on May 24, 1974. He was known as a key participant of the Harlem Renaissance era and his legacy lives on in Harlem and all around the world.
For this post I chose two video performances “Take The A Train” live in Harlem 1964, and a video of Ellington and his band performing “It Don’t Mean A Thing” back in 1943.
Duke Ellington married his high school sweetheart, Edna Thompson, on July 2, 1918, when he was 19. Shortly after their marriage, on March 11, 1919 Edna gave birth to their only son, Mercer Kennedy Ellington. Ellington was joined in New York City by his wife and son in the late twenties, but the couple soon permanently separated. According to her obituary in Jet magazine, she was “homesick for Washington” and returned (she died in 1967). In 1938 he met and moved in with Cotton Club employee Beatrice “Evie” Ellis, who with with him during his Cotton Club years in Harlem. The relationship with Ellis, though stormy, continued after Ellington met Fernandae de Castro Monte in the early 1960s. Ellington supported both women for the rest of his life.
At his funeral, attended by over 12,000 people at the Cathedral of St. John the Divine in Harlem, Ella Fitzgerald summed up the occasion, “It’s a very sad day. A genius has passed”. He was laid to rest in the Woodlawn Cemetery, The Bronx, New York City. His reputation increased after his death and the Pulitzer Prize Board bestowed on him a special posthumous honor in 1999.
Duke Ellington in 1973
VIDEO: Duke Ellington Live in Harlem “Take The A Train” (1964) features Ernie Shepard on vocals.
VIDEO: Duke Ellington – It Don’t Mean A Thing (1943)
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Tagged @HarlemHCL, Big Band, Duke Ellington, Harlem, Harlem Blogger, Harlem Jazz, Harlem Jazz Legends, Harlem Renaissance, HarlemCondoLife.com, HCL, jazz, Jazz History, jazz orchestra, jazz pianist, Jet magazine, Minton's Jazz Club, Minton's Playouse, Sunday Jazz Corner, The Cotton Club